Sa isang social media post, pinahayag ng National Artist Awardee na si F Sionil Jose kung bakit hindi hindi siya nagdadalamhati sa sinapit ng ABS-CBN. Sa kabila nito ay nilinaw naman niya na nakikisimpatya siya sa mga nawalan ng trabaho.
“I sympathize with the hundreds who will lose their jobs but I’ll not mourn the passing of ABS-CBN; its demise, I dare say, is even good for Philippine democracy if it also means the dismantling of the Lopez empire… The Lopezes played the double game; they were vociferously anti-American but were the beneficiaries of American largesse in the sugar quota gift from America. Their writers included liberals, fellow travelers and communists but Eugenio Lopez himself personified the lowest form of capitalism. The Filipinos do not really need ABS-CBN. It does not produce goods or food. It has certainly entertained millions but it did not diminish poverty. Again, freedom worked for the rich—but not for the Filipinos,” sabi ni Jose.
Ikinuwento rin ni Jose kung paano siniraan ng ninuno ng mga may-ari ng ABS-CBN ang isang respetado at disenteng senador.
“Way back when the Manila Chronicle was a major daily, its Sunday column, Inside Malacanang, lampooned former Senator Helena Benitez. I confronted Celso Cabrera, the columnist. He was a frequent Solidaridad customer, an avid student of the Renaissance. Helena, I told him, as everybody knew was such a decent politician, well loved and respected. Celso said, the old man (meaning Eugenio Lopez), the publisher, ordered it. Before I could chide him, he said, I am nobody from Camiling (Tarlac). We were speaking in Ilokano. I am not a good writer. This man gave me a job, a house, a car. And he’ll refund all that I spend on your books. He asked for my balls so I gave them to him,” saad ng National Artist.
Idinetalye rin ng national artist kung gaano kalakas ang impluwensiyang Pamilya Lopez.
“The Lopez family is a leading member of the oligarchy—far more powerful than any of the oligarchs, then and now. As a leader of the sugar bloc, it had massive political and economic influence. It made presidents then used its influence to enlarge its economic clout, Meralco, ABS-CBN, etc. God knows what billions the family got from government financing institutions to become a haven for communist fronts and communists, among them the late Renato Constantino. One Sunday morning, he called me up at home and asked if I’d open our Solidaridad Galleries—Don Eugenio Lopez wanted to see the Nena Saguil exhibition. I hurried to the Gallery in Malate. Don Eugenio arrived and looked at the exhibit twice then he bought more than half of the show. Surely, there was a good side to this oligarch—his patronage of Filipino art, his Filipinoness as illustrated and epitomized in the Lopez museum. Surely, many writers and cultural workers owe him profound gratitude. I sympathize with the hundreds who will lose their jobs but I’ll not mourn the passing of ABS-CBN; its demise, I dare say, is even good for Philippine democracy if it also means the dismantling of the Lopez empire.” dagdag pa ni Jose.
Si Jose ay binigyang parangal bilang National Artist for Literature ng gobyerno ng Pilipinas noong 2001 dahil sa kontribusyon nito sa sining.